After almost a year, I finally finished this book. Now, it took it so much because I decided to go slowly and experiment with the various techniques before proceeding with my read (and obviously this means a long span of time in which I didn’t use anything written on these pages at all). I also wanted to work a bit with sigils before getting into the chapter about “how does this thing work?”, as to not make up my mind on sigil work before actually doing some of it.
I am not a chaos magician. I have read about Chaos Magick and its principles, I find it fascinating, but I also don’t think it is what I want to do in my practice. My main interest is religious, magic and witchcraft are…something I am drawn to, but also something I am a bit scared of. They also tend to come up a lot. Sigil magic seemed an interesting starting point to explore magic, so I tried it. That being said, on with the review!
The book explores the modern method of sigilisation derived from the works of Austin Osman Spare, which is the same that can be found in Carroll’s Liber Null. The word, pictorial and mantric methods are explained with the use of examples, which I found extremely helpful. I had a bad time with the aesthetic of my sigils, being too much…bare? Common? Non-graphic? I don’t even know. However, seeing how the author makes and works on sigils really helped me gain confidence over mines. The explanation is simple, straightforward and non-dogmatic. Methods of activation have their own dedicated chapter; although I admit that I might have found a couple more methods helpful, I understand that this is not a book about gnosis and how to achieve it. The Alphabet of Desire (which I find a fascinating topic) is also described in its two different iterations. Closing the book is a chapter on “traditional” sigil work, as known in high magic and hermeticism, which refers to Israel Regardie’s How to Make and Use Talismans.
I found this book very comprehensive, easy and practical. It gives all the information a person who has never heard about sigil might need, delivered clearly and without too much speculation. The chapter in which the *why* sigil magic work is discussed is very adamant on proposing models of explanation, theories instead of dogmas. I appreciated this because the author invites the reader to try and understand magic for themselves; furthermore, sometimes trying to understand the technicalities and the reasons behind magic might hold back from doing and experiencing it. I will surely keep this volume as reference as I go on experimenting with sigil work.